March 7th - May 2nd, 2026
Il movimento dei quadri viventi | Marcello Jori
Galleria Mazzoli // Via Nazario Sauro n.62, Modena
Marcello Jori as born in Merano in 1951 and he lives and works in Milan, Paris and Merano.
A leading figure in Italian art in the 1980s and 1990s, he is now an exponent of an art form that has few equals in the current artistic landscape.
He began his artistic career in Bologna in the 1970s, using various means of expression such as
photography, painting and writing. He held his first exhibition in 1977 at the Galleria de’ Foscherari
in Bologna, curated by Renato Barilli. Since the beginning of his activity the use of the word is a
recurring theme in his work. He initially dedicated himself to painted writings and in the 1980s he
was one of the founders of the “Nuovo fumetto italiano” movement. He published in Italy for Linus,
Alter and Frigidaire, in France for Albin Michel on L’Écho des Savanes. He also contributes to the
magazines Vogue and Vanity. From 1992 to 1998 he draws exclusively for the Japanese publishing
house Kōdansha. At the beginning of the 1990s he helds three important exhibitions in the US: the
group exhibition Psycho curated by Christian Leigh, a four – people exhibition with Dan Flavin, Sol
LeWitt and James Croak at the Kunsthalle in New and a solo exhibition at the Art Institute in Boston.
In the 2000s, he published Nonna Picassa, a novel for Mondadori. In Milan, in 2003, at the Galleria
Emi Fontana, he presented for the first time Predicazioni, a series of handwritten and illustrated
books, each one unique, in which he recounts the lives of legendary artists in an original way. In 2007
he began his collaboration with leading design companies such as Alessi and Moroso. On the occasion
of its latest solo exhibition, between 2011 and 2015 the Marconi Foundation published five volumes
entitled: Gli Albi dell’Avventura. Since 2011, he has been collaborating with Corriere della Sera, for
which he has created six covers and writes about art as an artist. In 2014, Flash Art launched his first
serialised art history, written, illustrated and directed by an artist. In 2016, he published with Rizzoli
Storia Dipinta dell’Arte, the first History of Art handwritten and illustrated by an artist, the English
version of which was published in 2017 by Rizzoli New York. In 2018, he created a handwritten and
illustratd version of Carlo Collodi’s Le avventure di Pinocchio, the first edition of which was
published by Galleria Mazzoli and the second by Rizzoli in 2019. In 2025, he realized OH!, a 4-metre
bronze sculpture depicting Pinocchio, which is on display in Piazza Mercato in Naples.
Today, Marcello Jori defines himself as a “complete artist”, a reference to the Renessaince artst
who practised painting and sculptures with equal skill, was a designer, tackled architecture and
wrote treatises, even though he is first and foremost a painter.
Marcello Jori took part in three Venice Biennale, in Biennale de Paris (1985), in two Roma
Quadriennale (1986, 1996). He has held exhibitions in national and international galleries and
museums, including: Galleria d’Arte Moderna, Rome; Castel Sant’Elmo, Studio Morra e Studio
Trisorio, Naples; Studio Marconi e Palazzo Reale, Milan; Museion, Bolzano; Museo d'Arte Moderna di
Bologna, Galleria d’Arte Moderna e Galleria De’ Foscherari, Bologna; Galleria Civica d’Arte
Contemporanea, Trento; Hayward Gallery, London; Kunstverein, Frankfurt; Holly Solomon Gallery,
New York City; Ocean House, Miami; Fondazione Antonio Dalle Nogare, Bolzano; Sammlung Goetz,
Munich.
PRESS RELEASE
Galleria Mazzoli is pleased to announce Marcello Jori’s exhibition, Il movimento dei quadri viventi.
On display are 25 works of various size, created between 2023 and today, on canvas and antique
wooden panels. The antique wood naturally aged by light and weather, obtained by “uncovering the
roof of a beehive found high in the mountains”, gives the works an incredible chromatic depth, the
texture of the wood “inspired images and provoked fantasies. The stains, the natural decorations,
and grains of the wood have become the veins of my paintings” as the artist says in the text he
wrote for the catalogue.
The works on display cover a wide variety of subjects, everything that inspires and excites the
artist on a daily basis has been depicted with great thematic freedom, drawing on the greats of art
history, De Chirico’s Le Muse, Klee’s Senecio and De Dominicis’ noses, together with literary
characters such as Pinocchio and people dear to the artist: his wife Brigitte, his muse, but also his
most devoted collectors, artist friends, who pose for the viewer in these works, and, last but not
least, Emilio Mazzoli, the gallery owner who inspired Marcello Jori to create his artistic Pinocchio. As
Jori himself states: “In this exhibition, I have given myself over the joy of painting what I love every
day, everything! Just as they did in the middle of the twentieth century… […] I can paint whatever I
want, my wife, Jesus crucified in the rain, myself, my gallery owner, my collector, houses,
cottages… And it’s always me!”
Regarding the variety of themes and subjects addressed in the exhibition, Mariuccia Casadio
writes in the catalogue text: “He possesses a rare and distinctive quality. With bold ease, he knows
how to trascend boundaries, mix things up, and transform his art into a lively exchange of
references. Marcello Jori loves to bring in and interwine data without hesitation, making it
functional to the conception of his own choral plot. A work that embraces word and images,
painting and comics, different chapteres of the recent and distant past, free and disparate
references to masterpieces and styles, myths and muses of art. With him, knowledge becomes
working material, a whole resurrected by strokes of imagination, between bold thematic and
chromatic interactions, vivid brushstrokes and evocative traces of writing”.
Catalogue available with texts by Mariuccia Casadio and Marcello Jori.
exhibition's catalogue
Marcello Jori
Il movimento dei quadri viventi
Text by Mariuccia Casadio and Marcello Jori (Italian)
softcover and paper sleeve
38,5 x 29 x 0,8 cm
300 numbered copies
Published by Galleria Mazzoli. Modena, 2026.