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    Robert Longo

    Brooklyn (NY) • 1953
    Robert Longo © Robert Longo
    Over the years, Robert Longo has explored and studied the fundamental forces that move human beings and the universe. In 2000 and in 2005 he had two solo exhibitions at Galleria Mazzoli. The first of these presented his first important group of works known as Men in the Cities (1979-1982), the Combines series from the 80s, and five important series from the 90s and the 2000’s. In Men in the Cities , Longo explored the social aspect of power, representing it metaphorically as dancing figures in elegant black suits who seem to have been subjected to electric shock, but in reality, are probably not manifesting anything else but the psychological distress caused by social pressure. The question that Longo posed was: “Are they dancing or are they dying?”.
    Toward the middle of the 80s, Longo probably came to feel that these figures had become impotent, isolated, and overwhelmed by mysterious forces. And thus, the Combines were born, works that seem to embody the collision of the giant forces that Longo seeks to expose, the greater geo-sociological forces. The works in the series of the 90s, such as Black Flags (1990), Bodyhammers (1994), Johnny Mnemonic (1995) and Magellan (1996), seem to reflect a critical sweep of the various spheres of power. Longo subsequently changed the direction of his research, moving it toward powers that go beyond the limits of individual control, investigating forms of power in nature too. In The Wave Series (2000), the artist explored the majestic and uncontrollable power of the force of waves, a metaphor of a much greater power, that of the force of the universe. Freud Drawings, realized during the same period, seems to want to continue that research, but by examining the forces as they are revealed in the human mind. The artist also probes another form of power, that of bombs.
    Longo's artistic journey reaches a synthesis in Fire, Water, Rock, an exhibition presented at Galleria Mazzoli in 2005, with works realized between 2003 and 2005. The title refers to the power of the universe and its energy, controlled not only by human beings, but also by its very elements. Weapons, bombs, waves, and planets reveal different forms of power, from the human to the natural. Weapons and bombs illustrate the negative power of the human mind, whereas waves and planets lead us to reflect beyond the insignificant presence of man on earth, especially when compared to the mystery, power, and infinity of the universe which contains an unattainable truth about the meaning of the energy that moves it, perhaps about the meaning of life itself. Robert Longo also invites us to reflect upon the subject of power and authority in other series of works in which he depicts blackened American flags, outsized pistols, tigers, icebergs, bishops from behind, cathedrals, synagogues, mosques, and women in burqas.

    Lives and works in New York.

    Source: Richard Milazzo, Robert Longo, Fire, Water, Rock, Emilio Mazzoli editore, Modena, 2005.

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    SOLO EXHIBITIONS - Selection

    2016

    Luminous Discontent, Galerie Thaddaeus Ropac, Paris, France

     

    2015

    The Invention of Zero, Galerie Hans Mayer, Düsseldorf, Germany

     

    2014

    Gang of Cosmos, Metro Pictures, New York, USA

    Strike the Sun, Petzel Gallery, New York, USA

     

    2013

    Phantom Vessels, Galerie Thaddaeus Ropac, Salzburg, Austria


    2012

    The Capitol Project, The Aldrich Museum, Ridgefield (CT), USA

    STAND, Capitain Petzel Gallery, Berlin, Germany

     

    2011

    God Machines, Galerie Thaddaeus Ropac, Paris, France

    Mysterious Heart, Galeria Soledad Lorenzo, Madrid, Spain

     

    2010

    Robert Longo, Kunsthalle Weishaupt, Ulm, Germany

    Robert Longo: Survey Exhibition 1980-2009, Museu Berardo, Lisbon, Portugal  

     

    2009

    No Wave, SAKS Gallery, Geneva, Switzerland

    Robert Longo: Survey Exhibition 1980-2009, Musee D’Art Moderne Et D’Art Contemporain, Nice, France

    Surrendering the Absolutes, Metro Pictures, New York, USA

    Dancing With Chains On, Galerie Hans Mayer, Düsseldorf, Germany

     

    2008

    Nights Bright Days, Margo Leavin Gallery, Los Angeles (CA), USA

    Intimate Immensity, Galeria Soledad Lorenzo, Madrid, Spain

     

    2007

    Children of Nyx, Metro Pictures, New York, USA

    Beginning of the World, Galerie Hans Mayer, Düsseldorf, Germany

     

    2006

    The Outward and Visible Signs of an Inward and Invisible Grace, Metro Pictures, New York, USA

    Ouroboros, Galerie Daniel Templon, Paris, France

     

    2005

    Robert Longo: Fire, Water, Rock (2003-2005), Galleria Emilio Mazzoli, Modena, Italy

    Something Wicked This Way Comes, Margo Leavin Gallery, Los Angeles (CA), USA

    Robert Longo: Deep Silence, Monchehaus Museum, Goslar, Germany

     

    2004

    The Sickness of Reason, Metro Pictures, New York, USA

     

    2003

    Lust of the Eye, Galeria Soledad Lorenzo, Madrid, Spain

     

    2002

    Monsters, Metro Pictures, New York, USA

    Robert Longo: Sigmund Freud, Jüdisches Museum, Berlin, Germany

    The Freud Drawings, Museen Haus Lange und Haus Esters, Krefelder Kunstmeseen, Krefeld, Germany; traveled to Albertina Museum, Wien, Austria

     

    2001

    The Freud Drawings, Metro Pictures, New York, USA

     

    2000

    Robert Longo: Superheroes, Lipanjepuntin Artecontemporanea, Trieste, Italy

    Robert Longo: 1980–2000, Galleria Emilio Mazzoli, Modena, Italy

     

    1998

    Robert Longo, Gallery Cotthem, Belgium; traveled to Cotthem Gallery, Barcelona, Spain

     

    1997

    Magellan, Metro Pictures, New York, USA

    Das Magellan Projekt, Kunsthalle Tubingen, Tubingen, Germany; traveled to Kunsthal Rotterdam, Rotterdam, The Netherlands; Kunstalle Bielefeld, Bielefeld, Germany

    Venice Biennale, Venice, Italy

     

    1996

    Robert Longo: Kreuze, Museum Fridericianum, Kassel, Germany

    1995

    Robert Longo: A Retrospective, The Isetan Museum of Art, Tokyo, Japan; traveled to Ashikaga City Museum; Kirin Plaza Art Space, Osaka, Japan

    Johnny Paintings, Galerie Gana-Beaubourg, Paris, France; traveled to Galerie Lüpke, Frankfurt, Germany

    Johnny Mnemonic: Works on Paper, Galerie Thaddaeus Ropac, Paris, France

     

    1994

    Robert Longo, Genereux Grunwald Gallery, Toronto, Canada

    Robert Longo, Galerie Hans Mayer, Düsseldorf, Germany

     

    1993

    Bodyhammers: The Cult of the Gun, Metro Pictures, New York; traveled to Galerie Thaddaeus Ropac, Salzburg, Austria

    Robert Longo, Kleines Festspielhaus, Salzburg, Austria

    Killing Time, Galeria Joan Prats, Barcelona, Spain; traveled to Galeria Joan Prats, New York, USA

     

    1992

    When Heaven and Hell Change Places, Galerie Hans Mayer, Düsseldorf, Germany  

    Dreams With The Wrong Solutions, Salzburg Grand Opera House, Salzburg, Austria

     

    1991

    Robert Longo, Linda Cathcart Gallery, Los Angeles (CA), USA

    Robert Longo, Texas Gallery, Houston (TX), USA  

    Robert Longo, Hamburger Kunstverein and Deichtorhallen, Hamburg, Germany

    Faith in Zero Project, Five Gallery installation: Galerie Daniel Templon, Galerie Antoine Candau, Galerie Thaddaeus Ropac, A.B. Galleries, Galerie Gordon Pym et Fils, Paris, France

    1990

    Black Flags, Galerie Daniel Templon, Paris, France; traveled to Metro Pictures, New York, USA

    1989

    Robert Longo 1976-1989, The Los Angeles County Museum of Art, Los Angeles (CA), USA ; Museum of Contemporary Art, Chicago and the Wadsworth Atheneum, Hartford (CT), USA

    Robert Longo, Seibu Contemporary Art Gallery, Tokyo, Japan

    Robert Longo, Linda Cathcart Gallery, Los Angeles (CA), USA  

     

    1988

    Robert Longo, Metro Pictures, New York, USA
    Robert Longo, Menil Collection, Houston (TX), USA  

    Robert Longo, Museum Boymans van Beuningen, Rotterdam, The Netherlands

     

    1987

    Robert Longo, Galerie Daniel Templon, Paris, France

     

    1986

    Steel Angels Part I & Part II, Metro Pictures, New York, USA

    Robert Longo, Donald Young Gallery, Chicago (IL), USA  

    Robert Longo, Spiral Gallery, Wacoal Art Center, Tokyo, Japan

    Sequences/Men in the Cities, University Art Museum, California State University, Long Beach (CA), USA ; Contemporary Arts Museum, Houston (TX), USA ; Fort Wayne Museum of Art, Fort Wayne (IN), USA  

     

    1985

    Robert Longo, The Brooklyn Museum, Brooklyn (NY), USA  

    Robert Longo, Stedelijk Museum, Amsterdam, The Netherlands

    Robert Longo, Lia Rumma Gallery, Naples, Italy

    Robert Longo: Dis-Illusions, University of Iowa Museum of Art, Iowa City (IA), USA

     

    1984

    Robert Longo, Metro Pictures, New York,USA

    Robert Longo: Drawings & Reliefs, Akron Art Museum, Akron (OH), USA  

    Robert Longo, Larry Gagosian Gallery, Los Angeles (CA), USA  

     

    1983

    Robert Longo, Metro Pictures, New York, USA

    Robert Longo, Leo Castelli Gallery, New York, USA

    Robert Longo, Galerie Schellmann & Kluser, Munich, Germany

     

    1982

    Robert Longo, Texas Gallery, Houston (TX), USA  

     

    1981

    Men in the Cities, Metro Pictures, New York, USA

    Robert Longo, Fine Arts Center, University of Rhode Island, Kingston (RI), USA

     

    1980

    Robert Longo, Studio Cannaviello, Milan, Italy

     

    1979

    Robert Longo, The Kitchen, New York, USA

     

    1976

    Robert Longo, Hallwalls, Buffalo (NY), USA

     

    GROUP EXHIBITIONS - Selection

     

    2016
    Proof: Francisco Goya, Sergei Eisenstein, Robert Longo, The Garage Museum of Contemporary Art, Moscow, Russia

     

    2015

    The Inaugural Installation, Broad Museum, Los Angeles (CA), USA

    Last Year in Marienbad: A Film as Art, Kunsthalle Bremen, Germany

    Colección Jumex, In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Mexico City, Mexico

    FIRE AND FORGET. ON VIOLENCE, KW Institute for Contemporary Art, Berlin, Germany

    Picasso in Contemporary Art, Deichtorhallen Hamburg, Germany

    Cannibalism? On Appropriation in Art, Zacheta National Gallery of Art, Warsaw, Poland

    Space Age, Galerie Thaddaeus Ropac, Paris, France

    Looking Back / The 9th White Columns Annual, White Columns, New York, USA

     

    2014

    To Have and To Hold, Rubell Family Collection/Contemporary Arts Foundation, Miami (FL), USA

    Bad Thoughts: Collection Martijn and Jeanette Sanders, Stedelijk Museum, Amsterdam, The Netherlands

    Urban Theater: New York Art in the 1980s, The Modern Art Museum, Fort Worth (TX), USA

    Bard Girls Can Fly, White Flag Projects, Saint Louis (MI), USA

    Une Historie. Art, architecture, design. Des annèes 1980 à nos jours, Centre Pompidou, Paris, France

     

    2013

    Holes in the Walls: Early Works 1948-2013, FRI ART, Kunsthalle Freiburg, Switzerland

    Something about a Tree, FLAG Art Foundation, New York, USA

    Disaster Show, Galerie Thaddaeus Ropac, Paris, France

     

    2012

    Graphite, Indianapolis Museum of Art, Indianapolis (IN), USA

    Wish You Were Here: The Buffalo Avant-garde in the 1970s, Albright-Knox Art Gallery, Buffalo (NY), USA

    We the People, Robert Rauschenberg Foundation Project Space, New York, USA

    Poule!, Fundacion/Colección Jumex, Ecatepec, Mexico

    Art & Press, Martin-Gropius-Bau, Berlin, Germany

     

    2011

    View From a Volcano: The Kitchen’s Soho Years, 1971-85, The Kitchen, New York, USA

     

    2009

    The Pictures Generation 1974-1984, The Metropolitan Museum of Art, New York, USA

    Three: The Triptych in Modern Art, Kunstmuseum Stuttgart, Stuttgart, Germany

     

    2008

    Sonic Youth etc.: Sensational Fix, Museion Museum of Modern and Contemporary Art, Bolzano, Italy

    Political Correct, BFAS Blondeau Fine Art Services, Geneva, Switzerland

    to: Night, The Hunter College Art Galleries, New York, USA

    The Human Image in the Twentieth Century: Works from the Collection of the Tokushima Modern Art Museum, Gunma Museum of Art, Tatebayashi, Japan

    Atomic Afterimage: Cold War Imagery in Contemporary Art, Boston University Art Gallery, Boston (MA), USA

    The Big Bang, Museo Carlo Bilotti, Rome, Italy

    That Was Then…This Is Now, P.S.1 Contemporary Art Center, New York, USA

    Landscope, Galerie Thaddaeus Ropac, Paris, France

    Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase (NY), USA

     

    2007

    Sympathy for the Devil: Art and Rock and Roll Since 1967, Museum of Contemporary Art, Chicago (IL), USA; traveled to Museum of Contemporary Art, North Miami (FL), USA; Musée D’Art Contemporain, Montréal, Canada

    Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, Hessel Museum of Art, Bard College, Annandale-on-Hudson (NY), USA

    Chelsea to Caochangdi, Chambers Fine Art, Bejing, China

    History Will Repeat Itself, KW Institute for Contemporary Art, Berlin, Germany; traveled to Hartware MedienKunstVerein, Dortmund, Germany; Centre for Contemporary Art, Ujazdowski Castle, Warsaw, Poland

    Panic Attack! Art in the Punk Years, Barbican Art Gallery, London, UK

    Lights, Camera, Action: Artist Films for the Cinema, Kaufman Astoria Studios, New York, USA

    Hot Rock, Transmission Gallery, Glasgow, UK

     

    2006

    Fifth Interpretation of the Collection, La Colección Jumex, Pachuca, Mexico

    New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video, Grimaldi Forum, Monaco

    Les Mouvement des Images, Centre Pompidou, Paris, France

    Ma+h Coun+s, University of Connecticut, Storss (CT), USA

    The Downtown Art Show: The New York Art Scene 1974-1984, Grey Art Gallery, Fales Library, New York University, New York, USA

     

    2005

    Neo-Baroque, Byblos Art Gallery, Verona, Italy

    Atomica: Making the Visible Invisible, Lombard-Freid Fine Arts, New York, USA

    Flashback: Revisiting the Art of the Eighties, Kunstmuseum Museum for Gegenwartskunst, Basel,  Switzerland

    Drawing from the Modern, MoMA, New York, USA

     

    2004

    Biennial, Whitney Museum of American Art, New York, USA

    American Art of the 1980s: selections from the Broad Collections, Washington University Gallery of Art, St. Louis (MI), USA

    Freud – The Creative Analysis of Analysis, University of Connecticut, Storrs (CT), USA

    NY Collects Buffalo State, Buffalo State College, Buffalo (NY), USA

    News From Home (Orientalism <> Occidentalism), The Annex, New York, USA

    Perspectives at 25, Contemporary Arts Museum, Houston (TX), USA  

    Off the Wall, Bruce Museum of Arts and Science, Greenwich (CT), USA

     

    2003

    Drawings, Metro Pictures, New York, USA

    Art, Lies, and Videotape: Exposing Performance, Tate Liverpool, Liverpool, UK

     

    2002

    Group Show, Metro Pictures, New York, USA

    The Human Factor: Figuration in American Art, 1950-1995, Fort Wayne Museum of Art, Fort Wayne (IN), USA

    Super Heroes, Galerie Edward Mitterand, Geneva, Switzerland

    Melodrama, Atrium, Vitoria-Gasteiz, Spain; traveled to Centro José Guerrero, Grenada, Spain; MARCO, Vigo, Spain

     

    2001

    Postmodern Americans, The Menil Collection, Houston (TX), USA

    I Need You to Be There, Center for Curatorial Studies, Bard College, Annandale-on-Hudson (NY), USA

    Pictures at an Exhibition, Artists Space, New York, USA
    Streit-Lust - For Argument’s Sake, Ludwig Forum für Internationale Kunst, Aachen, Germany

     

    2000

    End Papers, Neuberger Museum of Art, Purchase, New York, USA

    Around 1984, A Look at the Eighties, P.S. 1, New York, USA

    Group Show, Metro Pictures, New York, USA

     

    1999

    The Kiasma Collection, The Museum of Contemporary Art, Helsinki, Finland

     

    1998

    I Love Art, In Kahn, New York, USA

    The Edward R. Broida Collection: A Selection of Works, The Orlando Museum of Art, Orlando (FL), USA

    Stills: A Selection from the Marieluise Hessel Collection, Center for Curatorial Studies, Annandale-on-Hudson (NY), USA

     

    1997

    Landscape: The Pastoral to the Urban, Center for Curatorial Studies, Bard College, Annandale-on-Hudson (NY), USA

    Biennale di Venezia: XLVII Esposizione Internationale d'Arte, Venice, Italy

    Views from Abroad: European Perspectives on American Art 3, Whitney Museum of American Art, New York, USA

    Stills: Art and Cinema in the Marieluise Hessel Collection, Centro Cultural Light, Rio de Janeiro, Brasil

     

    1996

    Group Show, Metro Pictures, New York, USA

    New York “Unplugged II”, Gallery Cotthem, Knokke-Zoute, Belgium

    Bang! The Gun as Image, Florida State University Museum of Fine Arts, Tallahassee (FL), USA

     

    1995

    Essence and Persuasion: The Power of Black and White, Anderson Gallery, Buffalo (NY), USA

    Group Show, Metro Pictures, New York, USA

    It’s Only Rock and Roll, Contemporary Art Center, Cincinnati (OH), USA

    Passions Privee, Musée d’Art Moderne de la Ville de Paris, Paris, France

    Alternatives: 20 Years of Hallwalls Contemporary Art Center: 1975-1995, Burchfield-Penney Art Center, Buffalo (NY), USA

    (Op) Art Galerie, Galerie Hans Mayer, Düsseldorf, Germany

     

    1994

    New York on Paper, Galerie Thaddaeus Ropac, Paris, France

    Drawings: Reaffirming the Media, Kansas City Gallery of Art, University of Missouri, Kansas City (MO), USA

    Le Temps d’un Dessin, Galerie de l’Ecole des Beaux-Arts, Lorient, France

    Old Glory: The American Flag in Contemporary Art, Cleveland Center for Contemporary Art, Cleveland (OH), USA; traveled to American Embassy, Copenhagen, Denmark

    Art in Embassies Program, American Embassy, Copenhagen, Denmark

    New York “Unplugged”, Gallery Cotthem, Knokke, Belgium

    Summer Academy I, Pace Wildenstein Gallery, New York, USA

    Fuori USO 1994, Kulturna Manifestacija; traveled to Ex Opificio Gaslini, Pescara, Italy; Trevi Flash Art Museum of Contemporary Art, Trevi,Italy; Cankarjev Dom, Ljubljana, Slovenia

    For 25 Years: Brooke Alexander Editions, MoMA, New York, USA

    Group Show, Metro Pictures, New York, USA

    Oh Boy, It’s a Girl: Feminismen in der Kunst, Kunstverein, Munich, Germany

    Art on Paper, Weatherspoon Art Gallery, Greensboro (NC), USA

    After Art: Rethinking 150 Years of Photography, Henry Art Gallery, University of Washington, Seattle (WA), USA - Traveling exhibition

    Sustainable Earth/ Sustainable Art, Remba Gallery, West Hollywood (CA), USA

     

    1993

    Lucio Silla Group Exhibit, Kleines Festspielhaus, Salzburg, Austria

    Group Show, Metro Pictures, New York, USA

    American Postmodern Art (Longo, Schnabel, Salle, Fischl), Ho-Am Art Gallery, Seoul, Korea

    The 21st Century, Kunsthalle Basel, Basel, Switzerland

    8 American Artists, Galerie Bernd Klüser, Munich, Germany

     

    1992

    Allegories of Modernism: Contemporary Drawing, MoMA, New York, USA

    Group Show, Metro Pictures, New York, USA

    American Art of the 80’s, Museo d’Arte Moderna e Contemporanea, Trento, Italy

    Killing Time, collaborative installation with Jon Kessler, Centre de Recherche d’Exchange et de Diffusion pour l’Art Contemporain (CREDAC), Ivre Sur Seine, France

     

    1991

    Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection, San Jose Museum of Art, San Jose (CA), USA

    Power, Indianapolis Museum of Art, Indianapolis (IN), USA

     

    1990

    Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art, The Art Institute of Chicago, Chicago (IL), USA

     

    1989

    A Forest of Signs: Art in the Crisis of Representation, The Museum of Contemporary Art, Los Angeles (CA), USA

    Fondation Daniel Templon: Musee Temporaire Exposition Inaugurale, Frejus, France

    Image World: Art and Media Culture, The Whitney Museum of Art, New York, USA

     

    1988

    Altered States, Kent Fine Arts, New York, USA

    Concept et Imaginatione (recent works from the photographic collection of the Stedelijk Museum), L’Institut Neerlandais, Paris, France

    1988 The World of Art Today, Milwaukee Art Museum, Milwaukee (WI), USA

    Visions/ Revisions: Contemporary Representation, Marlborough Gallery, New York, USA

    The Postmodern Explained to Children, Bonnefantenmuseum, Maastricht, The Netherlands

    American Art Since 1945, Tochigi Prefectual Museum of Fine Arts, Japan

    Three Decades: The Oliver Hoffman Collection, Museum of Contemporary Art, Chicago (IL), USA

     

    1987

    Documenta 8, Kassel, West Germany

    L’Epoque, La Mode, La Morale, La Passion, 1977-1987, Musee National d’Art Moderne, Centre Georges Pompidou, Paris, France

    Avant-Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (CA), USA

    Implosion: A Postmodern Perspective, Moderna Museet, Stockholm, Sweden

    Process and Product: The Making of Eight Contemporary Masterworks, Blum Art Institute, Bard College, Anandale-on Hudson, New York, USA

    Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield (CT), USA

     

    1986

    An American Renaissance in Art: Painting and Sculpture Since 1940, Museum of Art, Fort Lauderdale (FL), USA

    The American Exhibition, The Art Institute of Chicago, Chicago (IL), USA

    Das Automobil in der Kunst 1886-1986, Haus der Kunst, Munich, Germany
    Hommage a Beuys, Stadtische Galerie im Lenbachhaus, Munich,  Germany

    Monumental Drawing: Works by 22 Contemporary Americans, The Brooklyn Museum of Art, New York, USA

     

    1985

    Figure It Out: Exploring the Figure in Contemporary Art, Laguna Gloria Art Museum, Austin (TX), USA

    New York 85, ARCA Centre d’Art Contemporain, Marseille, France

    Body and Soul: Aspects of Recent Figurative Sculpture, Contemporary Arts Center, Cincinnati (OH), USA

    Anniottanta, Galleria Comunale d’Arte Moderna, Bologna, Italy

    Carnegie International, Museum of Art, Carnegie Institute, Pittsburgh (PA), USA

    New York Art Now: Correspondences, Laforet Museum, Tokyo, Japan; traveled to Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan; Tazaki Hall Espace Media, Kobe, Japan

     

    1984

    Endgame: Robert Morris, Laurie Anderson, Robert Longo, Hunter College Art Gallery, New York, USA

    The Fifth Biennale of Sydney, Private Symbol: Social Metaphor, Art Gallery of New South Wales, Sydney, Australia

    Alibis, Centre Georges Pompidou, Musee National d’Art Moderne, Paris, France

    Automobile and Culture, Museum of Contemporary Art, Los Angeles (CA), USA; traveled to Detroit Institute of Art, Detroit (MI), USA

    The Human Condition: Biennial III, Museum of Modern Art, San Francisco (CA); traveled to USA

    The Heroic Figure, Contemporary Arts Museum, Houston (PA); USA; traveled to Brooks Memorial Art Gallery, Memphis (TN), USA; Alexandria Museum, Alexandria (KY), USA; The Santa Barbara Museum of Art, Santa Barbara (CA), USA

    Currents, Institute of Contemporary Art, Boston (MA), USA

    Content: A Contemporary Focus, 1974-1984, Hirshhorn Museum, Washington D.C., USA

    La Narrativa Internacional de Hoy, Museo Rufino Tamayo, Mexico City, Mexico; traveled to P.S. 1, New York, USA

    Szene New York ’84, Rheinhallen, Koln Messe, Cologne, Germany

     

    1983

    Drawing Conclusions, Daniel Weinberg Gallery, Los Angeles and San Francisco (CA), USA

    Directions 1983, Hirshhorn Museum, Washington, D.C.

    1983 Biennial exhibition, The Whitney Museum American Art, New York, USA

    The New Art, Tate Gallery, London, UK  

    Brave New Works: Recent American Painting and Drawing, Museum of Fine Arts, Boston (MA), USA

    Back to the U.S.A., Kunstmuseum Lucerne; traveled to Rheinishes Landesmuseum, Bonn, Germany; Wurttembergischer Kunstverein, Stuttgart, Germany

    Dahn, Daniels, Genzken, Holzer, Longo, Visch, Van Abbemuseum, Eindhoven, The Netherlands

    Drawings Photographs, Leo Castelli, New York, USA

    The Heroic Figure: Thirteen Artists from the United States, Museum de Arte Moderna, Rio de Janeiro, Brasil; Museo Nacional de Bellas Artes, Santiago, Chile; Museo de Arte Contemporaneo, Caracas, Venezuela

    An International Survey of Recent Painting and Sculpture, MoMA, New York, USA

     

    1982

    Dynamix, The Contemporary Arts Center, Cincinnati (OH), USA; Ohio State University, Colombus (OH), USA; Allen Memorial Art Museum, Oberlin (OH), USA; The Butler Institute of American Art, Youngstown (OH), USA; The University Art Museum, University of Kentucky, Lexington (KY), USA
    The Human Figure in Contemporary Art, Contemporary Arts Center, New Orleans (LA), USA

    Eight Artists: The Anxious Edge, Walker Art Center, Minneapolis (MN), USA

    Focus on the Figure: Twenty Years, The Whitney Museum of American Art, New York, USA

    Documenta 7, Kassel, West Germany

    A Fatal Attraction: Art and the Media, The Renaissance Society, University of Chicago, Chicago (IL), USA

    Drawings, Blum Helman Gallery, New York, USA

    New Figuration in America, Milwaukee Art Center, Milwaukee (WI), USA

    The American Expressionist Image from Pollock to Today, Sidney Janis Gallery, New York, USA
    The Image Scavengers, Institute of Contemporary Art, Philadelphia (PA), USA

    Body Language, Committee for the Visual Arts, MIT, Cambridge (MA), USA

    Urban Kisses, Institute of Contemporary Art, London, UK

     

    1981

    Il Gergo Inquieto, Museo Sant’Agostino, Genoa, Italy

    Tableau, Wave Hill, New York, USA

    Picturealism – New York, Galerie Chantel Crousel, Paris, France

    Westkunst: Today Section, Museen der Stadt Koln, Cologne, Germany

    Drawings, Metro Pictures, New York, USA

    Body Language: Figurative Aspects of Recent Art, Hayden Gallery, Massachusetts Institute of Technology, Cambridge (MA), USA; traveled to Forth Worth Art Museum (TX), USA; University of South Florida Art Gallery, Tampa (FL), USA; Contemporary Arts Center, Cincinnati (OH), USA

    Figures: Forms and Expressions, Albright-Knox Art Gallery, Buffalo (NY), USA

     

    1980

    Extensions: Jennifer Bartlett, Lynda Benglis, Robert Longo, Judy Pfaff, Contemporary Arts Museum, Houston (TX), USA

    Illustration & Allegory, Brooke Alexander Gallery, New York, USA  

    Opening Group Exhibition, Metro Pictures, New York, USA

     

    1979

    Re: Figuration, Max Protetch Gallery, New York, USA

     

    1977

    In Western New York, Albright-Knox Art Gallery, Buffalo (NY), USA

    Pictures, Artists Space, New York, USA; traveled to: Allen Memorial Art Museum, Oberlin (OH), USA; Fine Arts Museum, University of Colorado, Boulder (CO), USA; Institute of Contemporary Art, Los Angeles (CA), USA

     

    1976

    Convergence and Dispersal, S.E.M. Festival, Albright -Knox Art Gallery, Buffalo (NY), USA

    Hallwalls Group Show, Artists Space, New York, USA

     

    1975

    Working on Paper, Hallwalls (opening exhibition), Buffalo (NY), USA

     




    on-line exhibitions



    SELECTED WORKS
    Robert Longo
  • Untitled (Head of Christ), 2019
    Charcoal on mounted paper, handcraft gold leaf frame, leather pouch and 30 pieces of silver, 199,1 x 122,9 x 7,6 cm
  • Robert Longo
  • Untitled (Burning Cross – From the American Stories Cycle), 2017
    Charcoal on mounted paper, 237,8 x 253 cm
  • Robert Longo
  • Untitled (Piaina Burka), 2015
    Charcoal on mounted paper, 245 x 179 cm
  • Robert Longo
  • Untitled (Treblinka), 2015
    Charcoal on mounted paper, 110,8 x 304,8 cm
  • Robert Longo
  • Untitled (Tiger), 2012
    Charcoal on mounted paper, 234 x 178 cm
  • Robert Longo
  • Untitled, 2013
    Charcoal on mounted paper, 152,5 x 284,5 cm
  • Robert Longo
  • Untitled (Desdemona), 2013
    Charcoal on mounted paper, 152,5 x 223,5 cm
  • Robert Longo
  • Untitled, 2008
    Charcoal on mounted paper, 179 x 245 cm
  • Robert Longo
  • Untitled (Gretchen), 1980-91
    Charcoal on mounted paper, 244 x 152 cm
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